SEARCH OF BASIC VISUAL MATERIALS IN THE PROCESS OF DESIGNING GRAPHIC OBJECTS (ADVENT CALENDAR AS AN EXAMPLE)
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Published:
Apr 18, 2024
Abstract
Abstract. This article examines the influence of basic visual materials on the creation of graphic objects using the example of an advent calendar. The content of a graphic designer’s activity is considered from the standpoint of finding basic visual materials that trigger the generation of ideas and images. Factors influencing the process of selection of basic visual materials by the graphic designer are clarified. The graphic designer’s environment is considered both external and internal, which has its own specifics. The model embraces two axes that describe the proximity of references and the design environment, the culture of the design studio, as a partial case of the cultural environment. The students’ project activity is considered as the one that implements a certain idea with attributes that determine the graphic designers’ decision and embodies their personal intellectual and creative efforts.
How to Cite
Borysova, S. (2024). SEARCH OF BASIC VISUAL MATERIALS IN THE PROCESS OF DESIGNING GRAPHIC OBJECTS (ADVENT CALENDAR AS AN EXAMPLE). Baltic Journal of Legal and Social Sciences, (1), 86-96. https://doi.org/10.30525/2592-8813-2024-1-9
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Keywords
graphic designer, references, basic visual materials, graphic object, advent calendar, project activity, visualization.
References
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6. Cardoso, C., Gonçalves, M., &Badke-Schaub, P. (2012). Searching for inspiration during idea generation: pictures or words? International Design Conference “Design 2012 Dubrovnik”, 1831–1840. Croatia. Retrieved from https://www.designsociety.org/download-publication/32152/ SEARCHING+FOR+INSPIRATION+DURING+IDEA+GENERATION%3A+PICTURES +OR+WORDS%3F.
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9. Eckert, C. M., & Stacey, M. K. (2000). Sources of inspiration: A language of design. Design Studies, 21(5), 523–538. doi.org/10.1016/S0142-694X(00)00022-3. 10. Frutiger, A. (2022). Człowiek i jego znaki [A man and his signs] (5th ed.). Kraków. [In Polish].
11. Gentner, D., & Markman, A. B. (1997). Structure mapping in analogy and similarity. American Psychologist, 52(1), 45–56. doi.org/10.1037/0003-066X.52.1.45. 12. Goldschmidt, G., & Sever, A. L. (2011). Inspiring design ideas with texts. Design Studies, 32(2), 139–155. doi.org/10.1016/j.destud.2010.09.006.
13. Gonçalves, M., Cardoso, C., & Badke-Schaub, P. (2011). Around you: how designers get inspired. International Conference on Engineering Design ICED 2011. Copenhagen: Technical University of Denmark. Retrieved from https://www.researchgate.net/ publication/259704787_Around_you_How_designers_get_inspired.
14. Gray, R. M. (2009). Probability, Random Processes, and Ergodic Properties (2nd ed). Springer.
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16. Marshall, J. (2007). Image as Insight: Visual Images in Practice-Based Research. Studies in Art Education, 49(1), 23–41. doi.org/10.1080/00393541.2007.11518722.
17. Özcan, O., & Güzererler, A. (2018). Re-reading design: cultural analogies for inspiration in interaction design. The Turkish Online Journal of Design, Art and Communication, 8(2), 364–375. doi: org/10.7456/10802100/015.
18. Rodgers, P., & Strickfaden, M. (2007). References in the design process milieu. In J.-C. Bocquet (Eds.), ICED’07 16th International Conference of Engineering Design. Paris. Retrieved from https:// www.researchgate.net/publication/235700626_References_in_the_design_process_milieu.
19. Rose, G. (2016). Visual Methodologies: An Introduction to Researching with Visual Materials (4th ed.). London: Sage.
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21. Strickfaden, M., & Heylighen, A. (2010). Cultural Capital: A Thesaurus for Teaching Design. International Journal of Art & Design Education, 29(2), 121–133. doi.org/10.1111/j.1476-8070.2010.01653.x.
22. Strickfaden, M., Stafiniak, L., & Terzin, T. (2015). Inspired and Inspiring Textile Designers: Understanding Creativity Through Influence and Inspiration. Clothing and Textiles Research Journal, 33(3), 213–228. doi.org/10.1177/0887302X15578263.
23. Tatham, C., Armstrong, W., & Armstrong, J. (2011). Fashion Design Drawing Course: Prin ciples, Practice, and Techniques: The New Guide for Aspiring Fashion Artists. Hauppage: Barron’s Educational Series Inc.
24. Traindl, A. (2007). Neuromarketing: die innovative Visualisierung von Emotionen Retail branding [Neuromarketing: the innovative visualization of emotions Retail branding] (3rd ed.). Trauner. [In German].
25. Wszołek, M., & Moszczynski, K. (2015). Algorytmizacja procesów projektowych [Algorithmization of design processes]. Communication Design: badanie i projektowanie komunikacji, 4, 173–193. Retrieved from https://www.researchgate.net/publication/284030174_Algorytmizacja_procesow_ projektowych#read. [In Polish].
2. Attfield, J. (2000). Wild Things. The Material Culture of Everyday Life. New York: Berg Publishers.
3. Berger, P. L., & Luckmann, T. (1981). The Social Construction of Reality: A Treatise in the Sociology of Knowledge. Penguin Books.
4. Borysova, S. V. (2021). Kharakterystyka suchasnykh ukrainskykh advent-kalendariv yak obiekta proiektuvannia [Characteristics of modern ukrainian advent calendars as an object of design]. Humanities science current issues: Interuniversity collection of Drohobych Ivan Franko State Pedagogical University Young Scientists Research Papers, 36(1), 9–16. Drohobych: Publishing House “Helvetica”. doi.org/10.24919/2308-4863/36-1-2. [in Ukrainian].
5. Borysova, S. (2023). Borrowing in Visual Art Works: Aspects of Attitude Formation in the Educational Environment. Culture and Arts in the Modern World, (24), 90–99. doi. org/10.31866/2410-1915.24.2023.287664.
6. Cardoso, C., Gonçalves, M., &Badke-Schaub, P. (2012). Searching for inspiration during idea generation: pictures or words? International Design Conference “Design 2012 Dubrovnik”, 1831–1840. Croatia. Retrieved from https://www.designsociety.org/download-publication/32152/ SEARCHING+FOR+INSPIRATION+DURING+IDEA+GENERATION%3A+PICTURES +OR+WORDS%3F.
7. Conover, W.J. (1999). Practical nonparametric statistics (3rd ed.). New York: John Wiley & Sons.
8. Coxon, I. (2006). Designing from Dasein: explicating design futures from hermeneutic conversations with Authentic personal experience. Conference “Wonderground 2006” Design Research Society. Lisbon. Retrieved from https://www.researchgate.net/publication/236241233_Designing_from_Dasein_explicating_ design_futures_from_hermeneutic_conversations_with_Authentic_personal_experience.
9. Eckert, C. M., & Stacey, M. K. (2000). Sources of inspiration: A language of design. Design Studies, 21(5), 523–538. doi.org/10.1016/S0142-694X(00)00022-3. 10. Frutiger, A. (2022). Człowiek i jego znaki [A man and his signs] (5th ed.). Kraków. [In Polish].
11. Gentner, D., & Markman, A. B. (1997). Structure mapping in analogy and similarity. American Psychologist, 52(1), 45–56. doi.org/10.1037/0003-066X.52.1.45. 12. Goldschmidt, G., & Sever, A. L. (2011). Inspiring design ideas with texts. Design Studies, 32(2), 139–155. doi.org/10.1016/j.destud.2010.09.006.
13. Gonçalves, M., Cardoso, C., & Badke-Schaub, P. (2011). Around you: how designers get inspired. International Conference on Engineering Design ICED 2011. Copenhagen: Technical University of Denmark. Retrieved from https://www.researchgate.net/ publication/259704787_Around_you_How_designers_get_inspired.
14. Gray, R. M. (2009). Probability, Random Processes, and Ergodic Properties (2nd ed). Springer.
15. Leonard, N., & Ambrose G. (2013). Basics Graphic Design 03: Idea Generation. AVA Publishing.
16. Marshall, J. (2007). Image as Insight: Visual Images in Practice-Based Research. Studies in Art Education, 49(1), 23–41. doi.org/10.1080/00393541.2007.11518722.
17. Özcan, O., & Güzererler, A. (2018). Re-reading design: cultural analogies for inspiration in interaction design. The Turkish Online Journal of Design, Art and Communication, 8(2), 364–375. doi: org/10.7456/10802100/015.
18. Rodgers, P., & Strickfaden, M. (2007). References in the design process milieu. In J.-C. Bocquet (Eds.), ICED’07 16th International Conference of Engineering Design. Paris. Retrieved from https:// www.researchgate.net/publication/235700626_References_in_the_design_process_milieu.
19. Rose, G. (2016). Visual Methodologies: An Introduction to Researching with Visual Materials (4th ed.). London: Sage.
20. Rosińska, M. (2011). Przemyśleć u/życie. Projektanci, przedmioty, życie społeczne [Rethink your/ life. Designers, objects, social life]. Warszawa: Bęc Zmiana. [In Polish].
21. Strickfaden, M., & Heylighen, A. (2010). Cultural Capital: A Thesaurus for Teaching Design. International Journal of Art & Design Education, 29(2), 121–133. doi.org/10.1111/j.1476-8070.2010.01653.x.
22. Strickfaden, M., Stafiniak, L., & Terzin, T. (2015). Inspired and Inspiring Textile Designers: Understanding Creativity Through Influence and Inspiration. Clothing and Textiles Research Journal, 33(3), 213–228. doi.org/10.1177/0887302X15578263.
23. Tatham, C., Armstrong, W., & Armstrong, J. (2011). Fashion Design Drawing Course: Prin ciples, Practice, and Techniques: The New Guide for Aspiring Fashion Artists. Hauppage: Barron’s Educational Series Inc.
24. Traindl, A. (2007). Neuromarketing: die innovative Visualisierung von Emotionen Retail branding [Neuromarketing: the innovative visualization of emotions Retail branding] (3rd ed.). Trauner. [In German].
25. Wszołek, M., & Moszczynski, K. (2015). Algorytmizacja procesów projektowych [Algorithmization of design processes]. Communication Design: badanie i projektowanie komunikacji, 4, 173–193. Retrieved from https://www.researchgate.net/publication/284030174_Algorytmizacja_procesow_ projektowych#read. [In Polish].